Charlie Watts, the drummer of that other 60s popular beat combo, the Rolling Stones, is at 71 about to go on the road again. For all the pomp of Jagger and the legendary antics of Keith Richard, Watts, like Ringo is more than the rhythmic timekeeper. He gives The Stones the way they walk musically.
Tickets for
two 50th Anniversary concerts by The Rolling Stones went on sale today.
One ticket up in the gods of the 02, for which you’d probably need climbing
gear to get to as well as oxygen, will set you back just £460. Something
slightly closer to the action approaching £2000.
In another
part of the media/entertainment forest there was a story this week that The Guardian is considering abandoning the printed paper entirely
and going ‘digital only’.
Why would
they seriously even consider doing that?
The printed
page is the drumbeat for any newspaper. The feature columnists and the by-line
staff writers may be the Jaggers of the brand but how their work looks on the
page, how it balances pictures and words, how the paper is laid out gives the
newspaper its identity – its rhythm and unique signature.
Revenue from
the printed paper is undoubtedly less than it was a decade ago but it’s still
measured in pounds as opposed to the pence of their offline income. If any of
the newspapers manage to invert that ratio and genuinely make money from their
digital presence – and it’s a big, unproven if – abandoning their signature
rhythm will probably be a great mistake. News vendors with only a digital face
- like The Huffington Post - still mimic their printed paper cousins in
presentation.
For any brand
the need for constant vigilance over what keeps the brand DNA alive is
paramount. What may be today’s revenue driver may not be tomorrow’s. What makes
the business relevant will almost certainly need to change over time: but what
keeps it differentiated will the constant drumbeat of brand. JS
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