After The God Particle, has the meaning of Britishness finally been discovered?

So, has Danny Boyle found the God Particle of Britishness? Will brands who want to hitch their wagon to Britishness now know what it looks like?

Over the years CRICKET has been involved in a number of ‘Britishness’ projects. We’ve attended research debriefs of widely different calibre on the nature of being British; debated what is and is not relevant for branding purposes, and offered our own – and we believe useful definition. Britishness is not simple up close, and too simple from a distance. It’s a hazardous territory for a brand or a film director to negotiate.

Phrases like Cool Britannia have described moments in time but never captured or represented the whole story. This is because, as the Opening Ceremony illustrated, the narrative of Britishness is rich, long and complex – a pageant hard for international audiences to comprehend.

The Opening Ceremony was a brilliant piece of theatre – like Boris I found myself wiping more than the occasional tear from my cynical eye. It explained cleverly who we are, how we are, what we do, where we’re from.

But sadly it chose not to look to the future – evidenced by a lonely Professor Tim Berners Lee left looking like a prophet in the wilderness. If the Games©®™ had been in the USA, would Bill Gates have been made to stand there holding a copy of ‘Windows for Dummies’? Can you imagine Steve Jobs revealed from beneath a Cupertino middle income bungalow? He’d have wanted visuals of wonder to celebrate his breakthrough vision. But then that’s the British eh? Proud of the smokestacks of the Industrial Revolution (terrific coup de theatre), but hiding our current inventive light firmly under bushels of old corn and Mr. Bean.

Maybe Danny Boyle is saving Britain’s vision of the future for the closing ceremony. But whatever happens, marketeers have to future Britishness if it is ever going to be a pillar of global consumer aspiration for our brands. JS

David Puttnam the British film producer (Chariots of Fire etc), once tutored a young director with the wise words ‘Just because modern technology allows you to morph a cat into a horse doesn’t mean that you should do it’. He was, I recall, suggesting the primacy of relevant storytelling, narrative and character development as engagement devices much more powerful than using the latest special effects for the sake of special effects.

The same could be said of the advent of technology, social media, geo-tagging and the ‘always on’ consumer leads us to believe that our target customers want to engage with us in an intensive, heavyweight way every time they wave at us. Just because we have the opportunity to engage interactively doesn’t mean we should take it for granted.

More and more marketeers are talking about recognising and enabling ‘consumer collaborators’. We have a suspicion that many consumers are already pretty tired at having to shoulder evermore burden in their innocent quest for knowledge, information or even a price. We know that many resent having to leap through a number of on-line sign-up hoops to get a train-time or fare from an airline. In many cases the reward does not outweigh the effort required.

Brand and consumer collaboration now seems to be a one-way street – often in favour of the brand.

Rather than getting all strung up with ‘how can we better reward’ consumers with burdensome layers of interaction perhaps we could do them a favour?

Genuinely make interaction easy.

Recognise that they may just want a telephone number and not ‘an experience’.

Work harder at saying less and meaning more.

Make sure that we always work harder than they have to.

Finally, as a creative director once reminded the industry at large “we must not go about like multimedia lager louts or corporate graffiti artists. Just because there is a bare wall don’t slap a poster there. Just because there is a silence, resist the temptation to fill it with a message” In today’s communicopia we may want to add “…and just because we have the capability to engage interactively respect the fact that the consumer may just want to have a quiet look at you”. JS

CRICKET builds moving image team



Dominic Powers and Helen Persighetti


Two new team members have joined CRICKET to expand the company’s offer in brand-led moving image and digital content.

Helen Persighetti is appointed Senior Producer, having worked with clients Rolls-Royce, the John Lewis Partnership and London 2012. Production Assistant, Dominic Powers, arrives from Another Film Company where he worked on commercials for a wide variety of brands including BBC, Kia, Visit England, COI and Mars.

Helen and Dominic will continue to develop CRICKET’s innovative seminars developed to help companies address the changing role of moving image for internal and external communications.

More info from Louise Barfield mailto:louise@cricket-ltd.co.uk